Writing the supernatural action-thriller

I have always loved reading horror—Stephen King, Dean Koontz, Bentley Little, Edward Lee—I can’t explain it. It just appeals to me. I guess the thought of flawed humans overcoming insurmountable odds and saving the world from some inhuman beast or life-threatening super-organism is just, well…cool. Sure, sometimes the good guy or woman dies at the end, but that’s life. Heroes are willing to pay the ultimate price so that others may live.

One of my other loves in fiction is the thriller, whether it’s politics, crime, military, whatever. Brad Thor, Vince Flynn, Nelson DeMille, Lee Child, James Patterson, Clive Cussler—I love ‘em all.

But for a long time, there seemed to be a lack of novels that really mixed action/adventure and supernatural horror into one story. I wanted something that was creepy, but that also moved along at a good clip and had memorable characters. There were very few novelists that were doing that kind of thing—Douglas Preston and Lincoln Child, John Saul, William Meikle and Jeremy Robinson are some names that come to mind.

So I decided that I would try to create stories I would like to read, something that incorporated both supernatural horror and action/adventure. I had written some short stories, but I wanted something that would keep readers enthralled for a few days. My first undertaking was DIABLERO, a story about modern-day voodoo and the resurrection of a three-hundred year old pirate, Blackbeard. 

 

I got some good reviews for that book, sold a few hundred copies with Nightbird Publishing and Crossroad Press. But for my next story, I wanted something even bigger involving the CIA, the military, the supernatural, and some human drama. So I took characters from my first novel, Hunter and Lisa Singleton, and put them into my new book.

LILITH is a supernatural creature who takes possession of the crew of a U.S. Navy aircraft carrier, and is then set free in the streets of Manhattan after it gets demolished by a huge storm. It was a very fun book to write.

My next novel, tentatively titled PRIMORDIAL, will be on an even bigger scale, believe it or not. Did I tell you I want my stakes to be high? Even the young adult sci-fi novel I’m working on is high-octane. Can I help it if I like things to move along at a good clip? And guns? And explosions? And…and…oh, sorry. I get carried away. But you get the picture.

I tried writing “literary” horror. Yeah, that didn’t work out. I kept falling asleep and drooling on the keyboard. Shorted out a lot of PCs. Don’t get me wrong, I love the classics—Frankenstein, Dracula, The Invisible Man, Dr. Jekyll and Mr. Hyde, The Legend of Sleepy Hollow—and I owe my career to them. But modern times demand that we stretch our writing chops to mix genres that may not have been previously incorporated, e.g., the vampire western, the zombie literary classic, the sci-fi detective, and so on.

So now, I present to you the supernatural action-thriller. I hope you like it.

How I got two book deals without an agent

I’ve been at the publishing game since I first started writing for local magazines and newspapers way back in the 90s, and I know how tough it is to find a good agent. As a matter of fact, I still haven’t found one. But I have managed to get my last two novels published. Here’s how I did it.

Perseverance. I kept at it and kept at it until finally, someone said “yes!”

I tried breaking in by way of the literary magazine world. I read all the writer’s magazines and books and found the names of literary magazines that published in my genre. Pretty much all of my short stories were rejected, except for one—THE MUFFIN MAN, a story about a crooked lawyer who gets his just desserts, published by The Pedestal Magazine. So, I put all my stories into a book, SHADOWLAND, and published myself. It’s selling modestly well.

But the storyline of DIABLERO was burning a hole in my skull and I had to write it. So I did. Then, I found the names of all the agents that worked in my genre and fired off a great query letter and story synopsis.

After approximately 85 rejections, I decided I would try submitting to smaller publishers, ones that accepted submissions directly from authors.

More rejection. I rewrote and resubmitted. Lo and behold, just as I was about to throw in the towel, I got two manuscript requests from two different publishers, one of whom made an offer to publish. I did the obligatory happy dance and accepted. 

Six months later, another publisher offered to put out the e-book version. Cha-ching! Things were looking good.

Fast forward to one year later. I had just finished my second novel, a sequel to the first. Alas, my current print publisher wasn’t interested in sequels and my e-book publisher wasn’t dealing with the “big box” distributors. I wanted to keep my characters and I wanted a bigger audience. So, off to agent land again.

Another cyberwall full of rejection letters later, I decided to try some large indie publishers. More rejection. I was about to throw in the towel again when lo and behold, DarkFuse makes an offer on my second book. Hallelujah!  Now my book would not only be available in paperback and e-book, but also in hardcover. And they deal with all the major distributors! 

And I did it all without an agent.

Don’t get me wrong. I would love to have an agent. Any that are interested, have your people contact mine and we’ll do lunch. Until then, I’ll stick with perserverance.

Why my publishers rock!

Some authors are putting up blog posts about why they like their particular publishers, and since I’ve had such a great experience with mine, I thought I would chime in.

My first book, DIABLERO, was actually published by two different presses in two different formats: in paperback with Nightbird Publishing and in e-book with Crossroad Press.

I’m not going to say DIABLERO was a huge selling book. It wasn’t. But it is a great novel. The editors at both presses did a phenomenal job of taking a book written by a novice (me) and turning it into something palatable for the average reader. I did a lot of telling instead of showing and made a lot of newby mistakes, and they made it better, stronger, faster, like the bionic man. 

The release of the book was awesome because Nightbird had a release party at the biggest indie bookstore in Atlanta – Eagle Eye Book Shop. I signed books for fans at the same table where authors like F. Paul Wilson and Brad Thor signed books. I even signed the table! It was the most fun I ever had working. My publisher showed up with his staff and we had a great time. The bookstore even treated us to dinner!

Nightbird is small, but their books are high quality, which is what attracted me to them.

Same with Crossroad Press. They release novels from some of the top names in the field – Steven Savile, Ed Gorman, Jack Ketcham, Tom Piccirilli and others. And they took a chance on me, a new author, even creating a new book cover for DIABLERO. They probably have the highest royalty payments in the business for e-books, something like 80 percent, and they always pay on time. You gotta love that.

For my next book, LILITH, I really wanted to stay small but I also wanted to get more mainstream distribution, which is where DarkFuse came in. They are indie, but they do hardcover as well as paperback and e-book through Ingram and Baker & Taylor and regularly get their authors reviewed in places like Publishers Weekly and Kirkus, something I could never do on my own without paying big bucks.

But best of all, DarkFuse has that personal touch. Even with experienced, multi-published authors like Greg Gifune and William Meikle on the roster, I’m still treated like one of the guys, and not the greenhorn that I am.

Their books have some of the best cover art in the business and the editing process is rigorous to say the least. I believe LILITH is the best it can be and I feel confident that it will blow people’s socks off when we release it to the world next January. 

I’ve heard some horror stories from a lot of authors about their experiences in the publishing industry. All my publishers have treated me with respect and have never lied to me or tried to rip me off, so I guess I can say I’ve been pretty blessed in that regard. So to my former and current publishers, I just want to say—thanks for making this trip a good one!

What to do while you're waiting....and waiting....and waiting

Okay, so you found a publisher for your great American horror novel and you have a release date. Most of the editing is done and now maybe you’re just missing the finished cover and copy edits.

In the meantime, what do you do?

As you probably already know, especially if you’ve been through this before as I have, the work is really just beginning.

The past couple of weeks I have spent feverishly putting together a new website, one that looks professional and will hopefully make me look professional. I put in lots of links to other sites, mainly authors and publishers that I know and like, and pages concerning my outside interests, such as music. 

I also like to get people involved with the process of publishing, especially since a lot of my fans are writers, which is why I started this blog. I know that I always looked for blogs like this when I was just starting out. I love to see things from behind the scenes.

I am also revising a manuscript for a young adult novel I have been writing for the past few months and will have that done, soon. Then I will have to begin the whole process of finding a publisher over again. Yay!

 I have also begun to look at the various aspects of marketing my new thriller, LILITH. My publisher, DarkFuse, has an excellent marketing director named Dave Thomas, and I know I will be working closely with him, so there will be a lot he can help me with. But as an author, I am also responsible for selling my book. I need to find the best options for reaching my target audience by using tools such as blogs, message boards and advertisements, and go from there.

I also do freelance writing for my local newspaper and other things, so that keeps me running, too.

Then, there is family. Got to cut out time for them somewhere along the way, right? Since I work from home, it seems like it’s usually the other way around—I’m trying to cut out time to work!

 So as you can see, it is possible to stay busy while waiting for something else to work its way through the process. But waiting isn’t so bad. After all, I’m doing what I love, so what more could I ask for?

A Novel View of the Editing Process

Ever since I finished my first thriller, DIABLERO, back in 2009, I have been involved in the editing process in one way or another. Now with my second novel, LILITH, I have embarked on a new journey with a new editor and a new publisher and so far it’s been a great experience.

First of all, my editor, Greg Gifune, is a best-selling author with a dozen published novels and hundreds of published short stories under his belt. That in itself can be intimidating. But I knew I had a great book so I was confident that it would need a minimum of editing. After all, this was my second novel and I had already reworked it several times. It should be good to go, right?

Wrong answer. I found out that I still have a lot to learn. Compared to most of the authors in the DarkFuse catalogue, some of whom are probably half my age, I’m still a greenhorn. Luckily for me, Greg is not afraid to work with greenhorns. 

Don’t get me wrong—I know it’s a good story. Getting a deal with DarkFuse proves that. But it needed work, from grammar to punctuation to continuity. My first book was the same way, but I have definitely improved since then. I look at some of the writing in that book and cringe, though it’s still a great story.

The thing I like most about working with an editor is having that objective viewpoint. Some of the scenes in the book that I thought were serious got a good laugh from Greg, and some lines I thought were funny just fell flat. A professional editor has a good eye for those things and that’s a priceless commodity when you want your book to rise above the fray.

Seeing all the red notes on my manuscript seemed a little daunting at first, but Greg talked me through it and explained everything to the point that I felt confident making the changes that were needed. I spent hours restructuring sentences, adding commas (I’m terrible about not using commas), showing instead of telling, changing dialogue, and even adding a new prologue.  

At 3 a.m., I finally hit “send” on my email and then dragged myself to bed.

Was it worth it? I think it was. I had written a good story, but just like a race car, it takes more than just a driver. It takes a crew to fine tune it, shine it up and make it the best it can be. After all, there are a lot of other cars on the track.

Soon I’ll be getting a look at the cover art and talking to the marketing department about the next phase. I’ll keep you posted. Thanks for listening!