Thrillerfest X and What I Learned from Clive Cussler, Lee Child and Nelson DeMille – Keep the Love Alive!!

One of the first authors I saw last weekend while in Manhattan for Thrillerfest X was Clive Cussler. He looked older and frailer than I had imagined, but his spirit and wit was that of 30-year-old. He regaled the audience with his many stories and had me laughing until I cried. It was awesome. But one thing I noticed right away was the fire in his eyes, the look of a man who thoroughly enjoys his work.

Although I was only at the festival for one day, it was an experience of a lifetime. To be in the same building (the Grand Hyatt on 42^nd) let alone the same room with authors of Mr. Cussler’s caliber was beyond amazing. I listened with rapt attention as he told of book signings gone wrong, writing and selling his very first novel, and working as a marine archeologist. It was a serious fanboy moment.

 

Nelson DeMille’s interview in the ballroom, which could easily seat three hundred people, was standing-room only. Listening to his stories about serving in Viet Nam and later becoming a novelist and creating the cynical hero John Corey, was a blast. I have read every John Corey book and thoroughly enjoy every word.

Lee Child, creator of the Jack Reacher series, was quite the suave and well-spoken Brit, yet very down to earth and personable. I always laugh when I think of books like THE KILLING FLOOR or ONE SHOT and consider the differences between Mr. Child’s personality and Jack Reacher’s. It’s like James Bond vs. Rambo.

 

But that’s the thing—authors don’t always put themselves in their books. We’re like actors. We write about characters we would like to be, or aspects of our personality that would never see daylight except in the world of fiction. We breath life into the characters and send them out into the world, entities unto themselves. Or so we hope.

There were many other authors—Jeffrey Deaver, Sandra Brown, Catherine Coulter, Scott Turow, R.L. Stine, David Morrell, Patrick Lee—just to name a few, all in one building. Unbelievable. There were several workshops, after parties and things I was unable to attend, but in the short time I was there, I learned so much. But something I noticed was this: With every author that spoke, there was one recurring theme—a love for storytelling.

 

I think that was the main thing I took away from the conference—true writers always have a love for the craft. Marketing, networking, understanding the business, all of that is important. But having a love for what you do translates to the writing itself and gives life to our stories and our characters. Without that, we're just wannabes and hacks.

Part of what drives that love is curiosity—curiosity about the world and about what goes on around us. About what makes people tick, why we do the things we do. Curiosity is part of what keeps us young and keeps things interesting. It may kill cats, but for a writer it means life.

I believe that for those at the top or those who would like to be there, that is the key to success—truly loving what you do, stirring the pot, maintaining that curiosity, and keeping that love alive. If you can manage that first, then everything else will follow.

Douglas Preston, Permuted Press and me

So far, this year has been full of surprises. Not all good surprises, but I’m only going to talk about the good ones because I’m a “glass half-full” kind of guy.

Let me start with the manuscript of a book called PRIMORDIAL that I finished writing nearly six months ago. I had already moved on to a new project, a book I’m already about halfway done writing. I started looking for an agent to sell the other book, which is a sequel to my supernatural thriller, LILTIH, and I was getting some interest. One of the agents was still on Christmas vacation, however, so I had some time to polish the manuscript. Looking it over, I realized the book was at least ten thousand words too short.

  

I started thinking about how I could lengthen the manuscript and when inspiration struck, I rolled up my sleeves and got to work. Ten thousand words later, I turned in said manuscript to said agent. Said agent said “No, thanks!” So did several other agents. Keep in mind I already had four books published, two with a well-known indie press.

In the meantime, NY Times bestselling author Douglas Preston, of whom I am a huge fan, agreed to read my book as soon as he had time. Two weeks later, I got an email saying “Hey, Toby, I loved your book!” He gave me the best blurb (for you non-writer types, that’s an endorsement) I ever got for a book. I was a happy camper, and did a happy dance in the middle of my kitchen, much to my dog’s chagrin.

I was now suddenly getting full manuscript requests from agents as well as a couple of indie presses I had sent the book to. One of them was Permuted Press, the same people who originally published JOHN DIES AT THE END and other great apocalyptic and zombie-type fiction. Although I knew they were probably inundated with manuscripts, I went ahead and sent PRIMORDIAL and then put it out of my mind.

  

A couple of weeks later, there was an email from the president of Permuted Press, Michael Wilson. “Oh well, another rejection,” I figured. But as I read, I discovered it was an offer to publish PRIMORDIAL. Before I even finished reading the entire email, I was calling my wife to tell her the news, followed by another happy dance.

The next day, I was talking to Michael on the phone. He offered to not only publish PRIMORDIAL, but the next book in the LILITH series, as well as re-issuing my first book, DIABLERO.

Yep, you guessed it. Dance time again.

Before sending off my manuscript, I had done some research on Permuted Press. The authors I spoke to were very happy with their experience, which was a big plus for me. They are also expanding their operations in several ways: (1) By moving into science fiction and fantasy, as many other horror publishers are doing; (2) By getting their books into brick and mortar stores via Permuted Platinum, (3) By teaming up with big-6 companies like Simon & Schuster for some of their bestselling titles.

In fact, one of the new owners is former Simon & Schuster deputy publisher Anthony Ziccardi, another plus for me.

Some would say all these events are just happenstance, or coincidence, or just plain luck. But when it comes down to it, don’t we really make our own luck?

Creating characters that come alive and jump off the page

Plot lines don’t mean squat without memorable characters.

Characters don’t even really have to be people. Seriously, they can be machines, aliens, animals, plants, whatever. But if they don’t drive the story, then they aren’t doing their job, and they might as well not even be there.

I’ve read science fiction stories and thrillers where things moved along at a good pace from point A to point B, but because the characters were one-dimensional, the trip was forgettable.

I base almost all my characters on real people, either people that I know or have met somewhere along the way. One of the characters in my supernatural thriller, LILITH, was an aircraft carrier called the USS Gerald R. Ford. That’s right—it was a ship. Hey, they don’t call ships “she” for nothing. Since the Ford was not yet commissioned at the time, I based it on the USS Harry S. Truman, where I had spent several days at sea. Believe me, those ships have personalities all their own, and I tried to bring that across in LILITH by describing things I had experienced while aboard the Truman.

The character of Hunter Singleton, one of the main protagonists of my stories, is based mainly on me, but also on other people I have known. He has a back story, he has a distinct personality, he has interests, dislikes, quirks, certain physical qualities—he even speaks a certain way. You can always tell when Hunter is talking, because he’s a smart ass. Kind of like me. He’s adopted, half Cherokee Indian and half white. He’s a reporter for a national news agency. He knows Kung Fu and doesn’t mind using it when necessary. And he’s usually up to his eyeballs in trouble.

Lisa Singleton, Hunter’s wife, also has certain physical characteristics and personality traits that distinguish her from other female characters. For instance, she’s a park ranger and a black belt in Wing Chun Kung Fu, which she taught to her husband. Her father is Chinese and her mother African American. She’s quite beautiful, like her mother, and small, but also pretty handy with her fists as well as with a gun. If you piss her off, she will take you down.

Lilith, the main antagonist, is more of a conglomeration of different people. I tried to make her evil, but also gave her some faults and frailties, and a back story that will make readers want to sympathize as well as be repulsed. Awesome combination!

There’s a back story with Hunter and Lisa as a couple, and I plan on getting more deeply into their personal stories as they progress through each adventure. The next book to feature them, PRIMORDIAL, is still in the writing stage.

Characters that are integral to the story should have traits that set them apart from other characters—physical traits, quirks, flaws, whatever. They should all speak with a different voice, as well, though that is sometimes hard to do. Characters who I know will only be in one scene I don’t spend as much time on, because they won’t be around long enough for anyone to really care. They’re just there to help move the plot along.

I also like to give flaws to my characters, because real people have flaws. For instance, Hunter has an inordinate fear of flying. As do I. I do not like airplanes, or even tall ladders.

In my latest book, GOD PARTICLE, my protagonist is a 16-year-old girl. Not being a 16-year-old girl myself, I had to draw from people I know, like my own wife and daughter, for instance, who helped me immensely with the character. Chloe is Chinese, adopted as a baby by a loving Swiss/American family. Hence the last name ‘Johansson.’ Not too many Chinese people have the name ‘Johansson.’

 

Chloe is also extremely intelligent, already a freshman engineering student at MIT. But she is a little bit spoiled. And selfish. And maybe a little hard headed.

Characters also need some type of friction within the story, something to overcome that will make them grow and reach beyond their own self-imposed boundaries. Just like in real life. Chloe nearly becomes overwhelmed by the events that take place in the GOD PARTICLE, but she has an amazing inner strength that helps get her through. Plus, she prays a lot.

Lively characters are extremely important to my novels. The stories are usually centered on the characters I create, and things move forward because of their actions, or inaction. Without realistic, memorable characters, the literary world can be a bland place, indeed.

For more information on my latest books, find me on the web at www.tobytatestories.com.

Why writers need good editors

I’ve done the self-publishing thing, if for no other reason than to say, “I did it.” It was not my first book, however.

DIABLERO, a supernatural thriller that featured a resurrected, demon-possessed Blackbeard the Pirate, was published first in paperback by Nightbird Publishing in 2010 and then by Crossroad Press as an eBook in 2011.

So why do a self-published book, you may ask? Well, I think I can sum it up in one word: vanity. I wanted to get my collection of short stories out there, and none of my publishers wanted to publish a short-story collection. So I figured, what the hey, I’ll just do it myself. Shadowland was published as an eBook in 2011 with Amazon, Sony and elsewhere. 

I won’t say it was a bad decision—it was what it was. But only one of the stories, Gray Area, had gone through any kind of rigorous editing. The rest were stories that I had written and reworked several times. 

I hate to admit it, but it shows. Although several of the stories have since been edited and published elsewhere, (see Shadowland inVoluted Tales Magazine #2), they weren’t really the best they could be. Unfortunately, I didn’t have access to any editors that charged less than $1,000 per manuscript, which really wasn’t in my budget. 

I said all that to say this: editing really does make a difference. I love my editors at DarkFuse and Crossroad Press—they give a professional edge to my writing by making sure the story has continuity, catching grammatical and punctuation errors that I otherwise would have missed, and even helping reword things that could be said in a better, more concise way. I would have to pay someone several thousand dollars to do what they do, so I am eternally thankful to have their expertise.

For my second novel, LILITH, a supernatural thriller that puts a mythological creature aboard an aircraft carrier in the middle of the ocean, I was ready to pay a tidy sum for a good editor. But DarkFuse made an offer before I did so, and author Greg Gifune ended up being my editor, so I was happy.

My next book, GOD PARTICLE, a young adult sci-fi thriller that features Chloe Johansson, a globe-trotting sixteen-year-old MIT prodigy, is due out June 4, 2013 and will be published by Crossroad press. My editor there, David Dodd, did an excellent job catching all my dumb mistakes and I think improved my chances of getting good sales. Not a bad thing. 

If you decide to self-publish, my advice is spend the money and find yourself the best editor you can afford, one that knows the business and knows what to look for in a manuscript. Believe me, the money will be well-spent. Don’t put a half-assed manuscript out there, because readers judge you by the quality of your writing, and if one manuscript isn’t up to par, it could affect the sales of any other books you publish.

Michael Garrett, who once worked with Stephen King and other big name authors, offers an excellent service at a reasonable price for anyone who is interested. I only mention him because I was so impressed with his attitude and work ethic. There are probably many other good editors out there, but do your research and make sure they know what they’re talking about, otherwise you’ll spend a fortune and have nothing to show for it.

LILITH released into the world!

Military technology meets mythological terror in LILITH!

It’s a great feeling seeing something that I’ve spent the last couple of years laboring on so intensely, finally being set free into the world. It seems that keeping myself sequestered in a small room in front of a computer monitor for hours on end, living on cashews and coffee, actually paid off! In just the first couple of days, LILITH reached # 27 in war fiction and #64 in horror. Not bad.

My love of the fantastic and weird, coupled with my interest in military black ops, was something I always wanted to get in writing. My background in the Navy provided the perfect experience to draw from since I had worked right next door to a SEAL team and watched how they operated. In the Sea Bees we even had an ex-SEAL as a commander who had us exercising our asses off every morning. Talk about tough.

Though the book has been released, my work as an author is just beginning. In just the last week or so, I’ve written several blog posts, sent out tons of emails, Facebook posts and Tweets, written a post for the International Thriller Writer’s roundtable, done an interview with The Big Thrill and worked on edits for my young adult sci-fi thriller, THE GOD PARTICLE. I’ll also be calling bookstores, doing newspaper and podcast interviews, attending book signings and working on writing the sequel to LILITH, which will be even more thrilling!

One thing I know is I could never do all this alone. My wife and daughter have offered more support than I could ever have asked for, and the people at DarkFuse, especially Shane, Greg and Dave, have been amazing to work with. I couldn’t be happier with how well the book turned out, and judging by the reviews, most people agree.

When you get a chance, check out LILITH in ebook and paperback on Amazon or B&N.com.

You can also get more info on my website.

Thanks for reading!

LILITH: A character study of Lisa Singleton

An aircraft carrier is like a floating city—when fully loaded for battle, it can carry over 6,000 people, and with a story setting like that, it’s easy for characters to get lost in the shuffle. That’s why they have to have strong personalities.

Enter Lisa Singleton—wife, police officer, mother to be, and as strong-willed and tough as they come.

In my latest thriller, LILITH, I wanted to bring back two favorite characters from my first novel, Hunter and Lisa. Though they had some marital issues, and in fact were on the verge of divorce because of the emotional stress from Lisa’s miscarriage, they patched things up and are now ready to face the world together.

  

I thought it would be unique to have two main characters who kind of share the spotlight, instead of one guy or one woman. I always liked the couple in the Mummy movie franchise, the O’Donnells, because when one got in trouble, the other one would bail them out. Same principal here.

Lisa, like her husband, is bi-racial—African-American and Chinese. She is short and has frizzy, black hair, which Hunter finds very sexy. She has dark, Asian eyes and pouty lips and likes to work out, so she is muscular, but also very feminine.

Her father is a Chinese immigrant who came to America and became a police officer. He married the daughter of the chief of police, which was frowned on at first by family members on both sides, but was eventually accepted. Lisa was raised in the small town in North Carolina where she met Hunter.

After high school, Lisa’s love of animals and nature coupled with the admiration she had for her father, led her to become a park ranger. She covers the several-thousand-acre Dismal Swamp State Park on the North Carolina side of the border, just miles from where she was raised in River City.

Not only is Lisa a trained law-enforcement officer, she is a third-degree black belt in a type of Kung Fu known as Wing Chun. She also taught Hunter, who managed to earn his own black belt.

Something else Lisa learned as a park ranger was photography. She loves photographing the wild flowers and trees that grow throughout the park, as well as the bears, wildcats, deer and rabbits that inhabit it. Her proficiency with the camera was the reason Hunter was able to convince his editor at the newspaper to send her along, since their regular photographer had come down with the flu.

Hunter and Lisa go through hell in LILITH, literally, as they help the Navy fight a power that is not even supposed to exist. Lisa rides an emotional roller coaster throughout the story and must draw on the strength of her faith in God, in her husband, and in herself. She’s sly, smart and quick-witted, but far from perfect. Her flaws become apparent in LILITH, but I think you’ll find that her humanity outweighs her flaws.

Next time, we’ll take a look at the main protagonist herself: LILITH. Thanks and happy reading!